Toka(Newasa Taluk, Ahilyanagar district): The Siddeshwar Mahadeva Temple at Toka village in Newasa Taluk of Ahilyanagar(formerly Ahmednagar) district in Maharashtra state is unique from several considerations. It is an abode of Vishnu, Shiva and Shakti(Devi).
At the confluence of Pravara and Godavari: This pilgrimage centre is located in a picturesque region, on the Ahilyanagar-Chhatrapati Sambhajinagar highway and at the confluence of Pravara and the mighty Godavari Rivers. Pravara joins Godavari at this point. The three independent temples are built with black basalt stone, and in typical Hemadpanti style of architecture. All the temples have intricately carved sculpture, showcasing instances of Ramayana, Mahabharat epics, Puranas, Surasundari, and Vyala-Sharabha.
Less frequented place: Rushikesh Maruti Adsure, a young friend of Mahatma Phule Krushi Vidyapeeth Rahuri, before taking us to this interesting place, drove to Grishneshwar Jyotirlinga, Bhadra Maruti temple, and Devgad Datta Mandir. On the way, he gave a vivid picture of the historical significance attached to this shrine. At the same time, he had also assured us that there will be hardly any people, no queue, no harassment from the pedlars, no one to pester you for a hurried darshan, nor any restrictions on taking photos. On reaching the venue, the experience was literally the same way, he had briefed!
Originally built by Rama: According to the local legend, the Shivling was originally installed by Lord Rama. However, the main temple is attributed to be built during the regime of Peshwas, and built by the King Vishnu Mahadeva Gadre in 1767. It is also a strange coincidence that there are three different temples of his names, like Vishnu, Mahadeva(Shiva), and Gadre. Goddess Durga is also known as Gadre Mata locally.
An abode of Vishnu and Shiva: Due to the rare combination of both traditions, the shrine is a pilgrimage centre for both, the Vaishnavaites, and the Shaivaites, apart from Goddess Durga, a manifestation of warrior form of Parvati.
A simple Nagara-style shikhara: Earlier, one could find an board giving details about the background of the temple, before entering the temple. These days, even the board giving a description of the shrine has gone missing! According to the Devanagari inscription, the main temple resembles a simple Nagara-style shikhara with miniature garbhagriha, antarala, mandapa and mukhamandapa kakshasana.






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